April 29, 2012   2 notes

micahewood asked: Is there a studio mp3 of Swans or just the rip from the movie "Moving McCalester"?

Someone posted the studio version on Tumblr a while back. If you scroll through this blog it shouldn’t be too far back. If you can’t find it, just let me know and I’ll see what I can do for you.

April 23, 2012   131 notes
[Flash 9 is required to listen to audio.]

decimalsanddollars:

The Format - Wait, Wait, Wait

Don’t breathe, don’t make a sound ‘cause the song wont stop till the tape runs out

April 23, 2012   27 notes
indierockandb-sides:

The Format

indierockandb-sides:

The Format

April 23, 2012   41 notes
indierockandb-sides:

The Format

indierockandb-sides:

The Format

April 23, 2012   74 notes
[Flash 9 is required to listen to audio.]

The Format “I’m Ready, I Am

(Source: bemoremusical)

April 18, 2012   18 notes

NONA now available for pre-order!

sammeans:

http://means.hellomerch.com

Sam Means has a record! Make sure you pick it up this weekend (possibly at a record store near you for record store day!), or you can order it online at http://means.hellomerch.com! :)

April 13, 2012   19 notes
On Dog Problems, Ruess proved himself to be a musician who could hit Freddy Mercury highs, weave and navigate through dense harmonies, fluctuate pitch and modulate timbre to wring every last emotional drop from each note issued. Listeners heard a voice impossible to forget. “From that point on I made it a habit to understand how my voice worked to use it to the best of my ability. I think I’m lucky. I think that it comes out so naturally—the timbre and everything like that. Once again, I think it was listening to things like Freddy Mercury and Paul McCartney and Harry Nilsson. Not only is it my voice, but it was me trying to sound like those guys. Eventually they became a part of what my voice is.”For the full profile of Nate based on intimate conversation, check out the whole post on The Airspace.

On Dog Problems, Ruess proved himself to be a musician who could hit Freddy Mercury highs, weave and navigate through dense harmonies, fluctuate pitch and modulate timbre to wring every last emotional drop from each note issued. Listeners heard a voice impossible to forget. “From that point on I made it a habit to understand how my voice worked to use it to the best of my ability. I think I’m lucky. I think that it comes out so naturally—the timbre and everything like that. Once again, I think it was listening to things like Freddy Mercury and Paul McCartney and Harry Nilsson. Not only is it my voice, but it was me trying to sound like those guys. Eventually they became a part of what my voice is.”

For the full profile of Nate based on intimate conversation, check out the whole post on The Airspace.

April 12, 2012   33 notes
jaypav:

I miss this … 

jaypav:

I miss this … 

April 12, 2012   7 notes

Anonymous asked: Did the format have a song called Breaking Thru?

“Breaking Thru” is what they used to write on the setlists when they were gonna play “I’m Ready, I am”. 

April 1, 2012   22 notes
Taken by: goldeneyedghost

Taken by: goldeneyedghost